三戦立
SANCHIN-DACHI
Naifanchi kata (Tekki) is the
tanden base for Shuri-Te, Sanchin kata is the tanden base for Naha-Te.
Consequently, these two tachikata and their bio-mechanics, and applications,
cannot be overlooked. In saying that, Shotokan gives a top down position for
Naifanchi-dachi, as the style is more refined and effective. Whereas, with
Sanchin-dachi, most Shotokan karateka are particularly disadvantaged.
Today I’d like to help rectify this
problem by correctly detailing Sanchin-dachi. So from now, I will some
background info before verifying the correct stance.
In the standard 26 Shotokan-Ryu kata
Sanchin-dachi appears merely five times:
ニ十四歩 (Nijushiho):
(1) movement four flowing into movement five; (2) movement 32 flowing into
movement 33; (3) and the final action, movement 34
雲手 (Unsu):
(4) movement 45; and (5) movement 46.
Sanchin-dachi appears many times in the
kata Asai Sensei’s introduced. To name a few: 明鏡ニ段 (Meikyo Nidan/Matsumura Rohai), 百八歩 (Hyakuhappo/Hyakuhachiho/Suparinpei), 火手 (Kashu/Hi no te), 安三 (Ansan), 雷光 (Raiko) etcetera. Needless to say, these kata force one to make
a correct sanchin.
I’d like to conclude by
providing the foundational test for one’s Sanchin-dachi for projecting
power (as opposed to absorbing impact). After assuming migi ashi mae
sanchin-dachi extend teisho awase-zuki. From here have a training partner
strongly push your palms. With the correct aforementioned form the force of the
opponents push will be absorbed into the ground as opposed to being resisted
primary by the arms and upper body. Of course practice this also in hidari ashi
mae sanchin- dachi and later with various turns, seiken-zuki and so forth.
Finally I explain ‘how to make a correct
sanchin-dachi’ in Shotokan-Ryu. Please note that in other Ryuha/Kaiha there are
sometimes slight variations.
Key Points of Sanchin-Dachi:
1. Keep the upper body in shomen at all
times. No hanmi.
2. Unless using dynamic tenshin (i.e. -
like in kata such as Sanchin and Tensho) do not contract the seika tanden
forward; rather, keep natural with a subtle lock). This is usually an expansive
stance which requires the posture to be upright whilst the stance is inward tension.
3. The back foot: the outside edge
(sokuto/sword foot) points directly ahead or ever so slightly inward. Outward
is incorrect. Asai Sensei taught greater inversion of the rear foot, and that's my particular way. However, I need to say that this is the 'Nakayama Masatoshi Sensei JKA style methodology'. I like this as I can generate more explosive power.
4. The front foot is 30 degrees or so pointing inwards.
5. The weight distribution is 50/50 with
the knees bent in accordance to spontaneous functionality.
6. The power is inwards towards the
seichusen and from the heels directed to the front.
7. When moving straighten the front foot
(same as the form of the rear foor) then crescent step to the aforementioned
front foot position).
8. Lastly, make sure that the big toe of
the rear foot is 'approximately on the same line' as the heel of the front foot.
A longer Sanchin beyond several centimeters is incorrect and this is a common error due to the high
emphasis on extended tachikata in Shotokan.
I will conclude on that note today. My hope is that this somewhat helps your SANCHIN-DACHI.
This post is dedicated to Chuck Merriman Shihan who just passed away. A master of Goju Ryu Karate, an absolute gentleman, and of course, Sanchin. RIP.
© André Bertel. Oita City, Japan (2021).
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