Here’s a brief outline of my two-hour self-training here in
the dojo today. I've posted this as it deviates from my current daily routine, which is something I intermittently do based on discoveries in practice and, ultimately, optimization of my time on the floor each day.Conclusion of my daily self-training. Wednesday, May 22nd, 2024.
基本
1. 横猿臂 (平行立ちから前屈立ち)
Basic yoko-enpi from Heiko-dachi moving into kiba-dachi. (a) Alternate yoko-enpi right and leftward into kiba-dachi—from and returning to heiko-dachi; (b) as previous but add turning 90 degrees and advancing in kiba dachi to the front; (c) as previous but add spinning 360 degrees to the front.
2. 縦猿臂から後ろ猿臂、前猿臂そして横猿臂 (平行立ち)
Stationary tate-enpi followed by ushiro-enpi, mae-enpi and
yoko-enpi alternatively in heiko-dachi. Variation: when executing yoko-enpi
step outward into 騎馬立ち(kiba-dachi).
3. 前猿臂から回転しながら横猿臂 (平行立ち)
From heiko-dachi with tateshuto make mae-enpi then with this
momentum spin to make yoko-enpi. Variation: when spinning change into 騎馬立ち(kiba-dachi).
4. 移動基本:中段外受けから寄り足横猿臂 (前屈立ちから前屈立ち)
Standard syllabus “Idokihon”: Chudan soto-uke kara yoko-enpi
(zenkutsu-dachi kara kiba-dachi); also practiced with the additional waza of 裏拳横回し打ち(uraken yokomawashi
uchi) and 中段逆突き
(chudan gyaku-zuki) transferring forward into zenkutsu-dachi).
組手
横猿臂の応用
(Practical application of yoko-enpi). Note the use of direct impacts in various
directions and the pragmatic utilization of 転身
(tenshin). In particular, a focus on dealing with attacks from the surprise and
rear.
型
Today’s kata practice was simply focused on dynamic
actions—waza, unsoku and tachikata—furthermore, 力の強弱 (Chikara no kyojaku: basically ‘forcefulness and
lightness’).
順路三段
(Junro Sandan)
燕飛
(Enpi)
慈恩
(Jion)
舞鶴大
(Maizuru Dai)
押忍
アンドレ バーテル
© André Bertel. Oita City, Japan (2024).
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