Tuesday 27 August 2024

和 (WA)


和 (Wa) in Japanese is a concept which is integral in Japanese culture and is best translated as ‘HARMONY’. In particular, in the daily lives of the Japanese population; that is, “the maintenance of peacefulness, conformity and self-responsibility within society and various groups/organizations”. The underpinning and unspoken understanding is that each individual places higher value on contributing towards a harmonious community above and beyond their self-vested interests.


Accordingly, Wa is an imperative aspect of traditional Japanese family values, work life and so forth. Individuals who break or damage group harmony are ‘brought into line’ covertly and/or overtly via their respective family, colleagues or 先輩 (senpai) 


Deeply entrenched hierarchical structures exist right across Japanese society; moreover, they primarily exist to teach, propagate and maintain Wa.


Again, what makes it so unique is that when Wa is rewarded, it is rarely for individuals but, rather, groups; thereby, further reinforcing collective unity.


One observation I’ve made over the years—especially when attending my daughters 運動会 (Undokai or ‘Annual School Sports Day’)—is primarily based on dantai or “group/team competition”.

With the exception of relays, in the West, most events are ‘individual’. Here, we see just one of the dimensions of the Japanese education system teaching Wa and, in doing so forming Nihonjin. Seeing the synchronized dances of the children is always very impressive.  It vividly reflects the intense and harmonious practice. It highlights the saying: “There is no ‘I’ in TEAM”.



The perfect situation… Well, ultimately, I believe the best situation is to harmoniously interact—to apply Wa—with those around us, while balancing that with our unique individual characteristics and marvelous creativity. In this way Wa can be externally expressed in society, whilst the individual will not be internally repressed. In sum, the ideal situation is: ‘ heathy societies together’ and ‘healthy unique human beings’.


Lastly, when we consider safety, etiquette/good manners, quality service and cleanliness, it is irrefutably true that Japan is a remarkably amazing nation. Especially considering it’s small size and correspondingly large population. Certainly, Wa is at the heart of this success. Consequently, I have deep respect for Japan, the Japanese people and it’s superb education system.


This nation, its people and education have all strongly influenced Karate-Do and Budo in general. Indeed, 和 (Wa) has been an underpinning element in the spread and popularity of the various arts of Japan around the world.


押忍!

André Bertel

 ©︎ André Bertel. Oita City, Japan (2024).

Friday 23 August 2024

半月立ち (HANGETSU-DACHI)

 半月立ち (HANGETSU-DACHI)


立ち方  (Tachikata)

Originally known as Seishan-dachi, the Hangetsu-dachi (the ‘half- moon stance’) is a mix of zenkutsu-dachi and sanchin-dachi. The length is slightly less than zenkutsu-dachi, however the weight distribution is the same. The foot positions are similar to sanchin-dachi with the knees inverted and bent (inward tension of the thighs. Contrastingly, there is outside tension with the feet: as the outside edges (足刀 Sokuto) of both feet must be firmly on the ground. When rotating the hips to execute various waza, the legs and feet formation remain set.


Some instructors and Shotokan organizations now teach a more linear version of the stance; furthermore, execute all waza without rotational changes between hanmi and shomen, and vice versa.


While I respect this variation, IKS (International Karate Shotokan) has not adopted this contemporary method; accordingly, we are continuing to practice 腰の回転 (koshi no kaiten) in Hangetsu Kata and in its respective 応用 (Oyo). I personally asked Osaka Yoshiharu Sensei about hanmi in Hangetsu and he firmly stated: “…continue following the guidelines set by Nakayama [Masatoshi] Sensei.” (Please note the link below, to another article, where Osaka Sensei gave me other commentary about Hangetsu).


半月立ちの運足 (Hangetsu dachi no unsoku)

Moving in all directions, in Hangetsu-dachi, always employs crescent steps. These arcs are coordinated with various hips actions and kokyu (breathing).


半月立ちの応用  (Hangetsu dachi no oyo)

Hangetsu-dachi is primarily a defensive and counterattacking position; that being said, it possesses an attacking element: 足掛け (ashi-gake). This is the traditional application of foot/leg hooking or grape vining. This can be used to trap, sweep, distract and/or off balance the opponent.


To conclude, Hangetsu-dachi provides a means to reconsider stance lengths and depths, in which Shotokan are characteristically long/wide and low. In particular, it allows one to re-examine their zenkutsu-dachi via moderation. In this way, one can more readily form a zenkutsu-dachi—in which the configurations are based on optimal mechanics—as opposed to mere athleticism.


Last but not least, like Sanchin dachi, movements in Hangetsu-dachi harmonize unsoku, waza and kokyu. While this is the case in all stances, slow actions in this position help to master this timing. This elucidates the maxim that all of the formal tachikata of Karate, in reality, are in fact ‘active transitory positions.'


For more on this stance, here is a direct link to another article: André Bertel's Karate-Do: 半月立 (Hangetsu-dachi): The original version (andrebertel.blogspot.com)


©︎ André Bertel. Oita City, Japan (2024).

Wednesday 21 August 2024

International Budo/Bujutsu Karate Seminar: NEW ZEALAND (February 2025)

 Besides my regular karate teaching here in Japan, I will be in FREITAL, GERMANY in two weeks from now (September 7th/8th). Also, next February, I'll be conducting a Summer Seminar in CHRISTCHURCH, NEW ZEALAND. If you wish to gain a place in these (and other seminars), please contact the organizers. There is always a maximum number of participants; therefore, it is always 'first-in-first-served'.

Here is the official poster for the New Zealand 2025 Seminar, which has all of the details to secure positions. There will also be official IKS Japan/International Dan Examinations at this event.

Overall, the seminar is open to all organizations, styles and individuals who wish to advance in Budo/Bujutsu knowledge.

I look forward to seeing everyone there and enjoying great training, fun times and friendship through the art of Karate-Do.
© André Bertel. Oita City, Japan (2024).

Saturday 17 August 2024

Visit from Brian Toomey Sensei

 My friend and senpai Brian Toomey Sensei (7th Dan) came to Oita. Brian Sensei is a direct student of Kato Sadashige Sensei and my teacher Asai Tetsuhiko Sensei, so it was a great catch up after many years.


Brian Sensei is not only a serious karateka but also a really lovely guy. He is working hard to preserve Asai Sensei and Kato Sensei's legacy. Literally, Ireland is lucky to have him.


Initially blocked by a typhoon he finally made it down from Yokohama. 


We covered Kakuyoku. Hangetsu, and the first section of Maizuru Dai. Brian Sensei also showed me the Dai-Ken kata of Asai Sensei, which I was never taught. Brian Sensei explained that they are pre-Heian Shodan kata. After that we had a great time hanging out. Overall, a wonderful time.


Big thanks Brian Sensei.

OSU, AB.


© André Bertel. Oita City, Japan (2024).

Thursday 15 August 2024

The 18th Asai Tetsuhiko Sensei Memorial Training

 Today was the 18th Memorial of Sensei's passing. Our deepest thoughts are with his family today. 

To mark this day, every year I (and all of Asai Sensei's students around Japan and the world) do a remembrance training. 

I'M SO DEEPLY THANKFUL FOR ASAI SENSEI'S TEACHING!
© André Bertel. Oita City, Japan (2024).

Thursday 1 August 2024

Saturated Dogi

 I completed my first daily self-training for August today.  It was an extremely hard two-hour session due to the sweltering heat and practice content; that being said, and on a positive note, the warm-up was VERY easy!!! 


Besides Ido-kihon I practiced the kata Junro Shodan, Chinte, Hyakuhappo (the Shotokan-Ryu version of Suparinpei) and Maizuru Dai. For kumite, my focus was on the timing tsuki-waza; in particular, in combination with body-shifting and head movement.


To conclude, definitely 100%, my karatedo-gi was the most saturated, thus far, this year!

押忍!
AB





© André Bertel. Oita City, Japan (2024).