Deutschland Renshusei (May 2017) Video

© André Bertel. Oita City, Japan (2017).

Renshusei from Deutschland

Concluding the first four hours of training: Kihon-Kata-Kumite--the trinity of Karatedo to achive optimal effectiveness.

Four more karateka have come as international renshusei (trainees) here, at my dojo, in Oita-City. The four fromドイツ (Germany) included:  Joerg Arndt (6th Dan): http://www.karate-dojos.de/); Peer Frasch (3rd Dan); and Axel Hoffmeyer (2nd Dan); and, second-time renshusei, Frank Kohler (3rd Dan).

Explaining a key Budo Karate point kept within the elite Shotokan schools here in Japan. Focused faces and great karate spirit!

The focus of the weekend was the correct and elite practice of Kihon, Kata and Kumite - in combination - to achieve effective 'fighting ability', which is at 'the technical heart' of traditional Budo Karate. While I won’t go into details—as these are for Frank, Axel, Peer and Joerg—I will say that extreme technical improvement was made by all four trainees over the eight hours. So I was very impressed by their physical effort, karate no seishin (karate spirit) and overall determination to make changes to improve their karate. Perhaps a short video, giving a few glimpses will come. Osu, André. At my weekly 'outdoor dojo' here in Oita... Yusuhara Jinja. © André Bertel. Oita City, Japan (2017).

Video: Transition from basic tsuki to application

Here is a new video from last year in Mira, Venice (ITALY) where I taught a seminar on Budo Karate. Special thanks to Mauro Shihan and Silvio Sensei for this footage. Osu.

© André Bertel. Oita City, Japan (2017).

Intensive Private Training in Oita City

Today and yesterday we had intensive training here in Oita City. I practiced and taught the core sonoba-kihon, followed by Gohon Kumite and Kihon Ippon Kumite. Kihon Ippon Kumite was, in fact, the main focus：with atttention to critial details to achieve 'finshing waza'. Kata training bolstered this effort and included Unsu, Sochin, Nijushiho and Sentei-gata Jion.

Overall, in the sense of 'Budo'/'Bujutsu', the training was literally top-level here in Japan. Hard core practice. I think that says a lot; moreover, it is great that authentic Budo Karate is continued without being watered down to sports karate, nor the Western way of theories, lots of talk, "feelings" (= get smacked over in Japan), and mere 'copy-cat movements' (= just movements) with no relation to fighting/self-defense in the real world. Real karate is a real martial art, not just an art. This is the Karate-Do I follow as do other true followers of Karate. Osu, Andre.

© André Bertel. Oita City, Japan (2017).

桜 (Sakura)

桜 (Sakura) or cherry blossoms, as most know, have a very special cultural significance  here in Japan. Ask any Japanese person “what is your favourite time of the year?” and many will say “Haru” (Spring): often in reference to the exquisite blooming of sakura.

Spring, of course, is literally the season of new life in nature, and the blooming of sakura vividly epitomizes this. What makes sakura more profound is that their life is both beautiful and fleeting: an analogy of human existence.

As the sakura bloom across Japan people have ‘cherry blossom parties’ or   花見 (Hanami), which literally translates as ‘watching blossoms’. They eat and drink heartily with family, friends and/or workmates. It is therefore a time to really appreciate being alive—and the beauties of life—on many different levels.

© André Bertel. Oita City, Japan (2017).

Gohon and Kihon Ippon Kumite is KIHON TRAINING

There are two forms of kumite (sparring) purely for the training of kihon (fundamentals), these are: Gohon Kumite—Five step sparring; and Kihon Ippon Kumite—Fundamental one step sparring.

The purpose is ‘KIHON’: While both of these training drills practice the additional aspect of timing and maai (distancing), the focal point is to ‘maintain and employ perfected/classical kihon form’ whilst doing so. For this reason, I have always highly recommended that karateka do not consider Gohon and Kihon Ippon Kumite as ‘kumite’ but, rather, as ‘partner kihon’. In this way, the underpinning purposes of these partner drills can be achieved and not diminished in any way.

Gohon Kumite and Kihon Ippon Kumite WONT TEACH YOU HOW TO FIGHT: Common sense shows that doing these drills, just like doing solo kata training, will not teach you how to fight in isolation. That has never been the objective of these drills/routines; rather, their point is to teach/ingrain and further develop optimal body actions (which, in turn, become functional via ‘specific freestyle training’: uchikomi, jiyu-kumite, oyo-kumite, impact training etcetera). As a whole, Gohon Kumite and Kihon Kumite are training methods—which contribute towards overall effectiveness of karate technique—by strictly practicing the pure/classical fundamental techniques with a training partner.

Training these drills as MATCHES: This is, of course, fine, and is done here in Japan (with Kihon Ippon Kumite); nevertheless, one will not be successful if one turns Gohon and Kihon Ippon Kumite into some form of ‘restricted fight’. As stressed above, doing so, will inevitably compromise kihon—which immediately renders these drills useless. Returning to the point of matches with Kihon Ippon Kumite, in relation to the aforementioned point, the ‘winner’ be the karateka whom demonstrates superior kihon; thus, again elucidating the point of Fundamental ‘Kumite’.

Training this way doesn’t EXPRESS EMOTIONS; rather CONTOLS THEM: One of the big factors between the top level karateka here in Japan—and those around the world—is the difference of emotional expression in training. The Budo Karate Way is ‘poker-faced’. No grizzly expressions—like on the covers of cheesy martial arts magazines and depicted in far-fetched martial arts movies; no ‘post win’ high fives and dancing—as is often seen in sports karate events. Quite simply, no emotional expression. Practicing karate in this way, the proper way, means that far greater internal-control will be achieved. Relating this point, specifically to Gohon Kumite and Kihon Ippon Kumite, we can see some essential mind-body connections. This is especially the case due: to these drills requiring ‘to move the body in very strict ways’. Getting ‘stuck-in’ (forcing and rushing techniques) is an easy way to see poor control of the body and mind. To recapitulate and summarize in a slightly different way, in order to be successful, one needs to be in a very calm state to move correctly—without any technical short-cuts nor superfluous actions; furthermore, to also have ‘strict control over emotions’ (to not ‘over excite’ and, consequently, turn the drill into a quasi-freestyle exercise with one’s training partner). In this way, we can readily see how SHIN-GI-TAI is trained in fundamental kumite and Karate-Do in general.

The most important person in Gohon Kumite and Kihon Ippon Kumite: Besides exact kihon, and having the emotional control required to do so, never forget that “...THE MOST IMPORTANT PERSON IN ALL FORMS OF YAKUSOKU-KUMITE (Pre-arranged Sparring) IS ALWAYS THE DESIGNATED ATTACKER”. There are multiple reasons for this, however, the most critical is “...that always making/using correct maai for one’s attacks must become second nature”. There is no exception to this rule. Second only, to this point, is the need to offer stimuli for one’s training partner to respond. Put another way, an out of distance technique requires no defensive response; thus, if an ukewaza (reception technique) is employed, it is inherently an error.

CONCLUSION: Kihon, kata and all of the different forms of kumite training collectively work together to optimally develop the defensive and offensive capacities of karateka; however, the objective of each drill must be fully understood and followed in physical practice. Failure to do so will waste training time; moreover, groove bad habits. When practicing Gohon Kumite and Kihon Ippon Kumite think about how much they imitate/resemble a real fight. When one does so, it is evident that they do not, nor can, prepare one for jiyu-kumite nor self-defence. Irrespective of this, they are excellent building blocks—when understood and trained correctly—that greatly contribute towards solidifying the foundational skills which (in harmonious combination with kihon, kata, and the other forms of kumite) result in an ever-improving freestyle capacity.

© André Bertel. Oita-City, Japan (2017).

PS – You may have noted that I have not mentioned Jiyu Ippon Kumite: this was intentional. I will write an article about it in the near future. 押忍, André.

Trainees from Germany: Andrea Haeusler and Torsten Uhlemann

On Friday 7^th and Saturday 8^th of April—Andrea Haeusler Sensei and Torsten Uhlemann Sensei (JKA Germany)—came for private training at my dojo here in Oita City.

As they operate their own dojo, Fuji San Karateschule Münster (click here to visit their clubs homepage: http://www.karateschule-muenster.de/) the sessions were essentially ‘instructor trainings’ focused on key points of top-level Budo Karate here in Japan. Accordingly, kihon was the main aspect—in relation to kata and kumite.

In sum, it was great to see Torsten Sensei and Andrea Sensei do so well over the two days of training here in Oita. I wish you both the very best for your remaining time here in Japan! Osu, André

© André Bertel. Oita City, Japan (2017).

WANKAN KATA VIDEO

One of my personal students after learning 王冠 (Wankan) requested that I perform it slowly online. Wankan is a kata that I merely know - not one that I presently practice; therefore, I am regretful that I cannot give it the justice it deserves. Irrespective, I hope that this helps people seeking to learn Wankan correctly - in the technical sense -  as I have seen many strange versions posted online, which is, of course, very regretful. Best wishes from Japan, Andre Bertel.

  

SUMMARY OF WANKAN KATA

·         Rei (Musubi dachi)

·         Yoi (Ryoken daitai mae, Hachiji dachi)

1.      Ryoken chudan kakiwake uke (Migi kokutsu dachi)

2.      Ryoken chudan kakiwake uke (Hidarii kokutsu dachi)

3.      Ryozenwan jodan hasami uke (Hidari ashi dachi)

4.      Migi ashi ippo mae

5.      Hidari ashi ippo mae

6.      Hidari tate shuto chudan uke (Migi zenkutsu dachi)

7.      Uken chudan zuki (Migi zenkutsu dachi)

8.      Saken chudan zuki (Migi zenkutsu dachi)

9.      Sasho gedan sukui uke/Usho koko gedan osae (Hidari ashi mae neko ashi dachi)

10.  Hidari tate shuto chudan uke (Migi zenkutsu dachi)

11.  Uken chudan zuki (Migi zenkutsu dachi)

12.  Saken chudan zuki (Migi zenkutsu dachi)

13.  Sasho gedan sukui uke/Usho koko gedan osae (Hidari ashi mae neko ashi dachi)

14.  Hidari tate shuto chudan uke (Migi zenkutsu dachi)

15.  Uken chudan zuki (Migi zenkutsu dachi)

16.  Saken chudan zuki (Migi zenkutsu dachi)

17.  Migi kentsui chudan uchi mawashi uchi (Kiba dachi)

18.  Hidari chudan mae geri keage (Migi ashi dachi)

19.  Hidari chudan jun zuki (Hidari zenkutsu dachi)

20.  Migi chudan mae geri keage (Hidari ashi dachi)

21.  Migi chudan jun zuki (Migi zenkutsu dachi)

22.  Hidari chudan mae geri keage (Migi ashi dachi)

23.  Hidari chudan jun zuki (Hidari zenkutsu dachi)

24.  Saken chudan uken gedan yama zuki (Migi ashi mae fudo dachi) “EI!”

·         Naore (Ryoken daitai mae, Hachiji dachi)

·         Rei (Musubi dachi)

© André Bertel. Oita-City, Japan (2017).

RENSHUSEI FROM GERMANY: Oliver Schoemburg

Over the weekend Oliver Schoemburg, from Ahrensburg (Northern Germany) trained at my private dojo here in Oita City. I will not detail the time outside of the dojo with him and his lovely family, but I will briefly give an overview of the training.

Kihon was a large part of the practice, however, the overarching theme was 'technical moderation' and, at the heart of this, simplification. The three core techniques of Karate-Do: jun-zuki (oi-zuki), gyaku-zuki, and chudan mae-geri keage were given the greatest attention. Furthermore, zenkutsu-dachi and its various aspects (transitions from shomen, hanmi, gyaku-hanmi and unsoku/ashi-hakobi) in sonoba-kihon, ido-kihon and kumite were thoroughly addressed.

Supporting this training was a couple of imperative points in Kihon Ippon Kumite and the base understanding of the freestyle kamae in Jiyu Kumite; also, advanced practice of kata: Heian Shodan, Tekki Shodan and Hangetsu. Another theme trained, via kata, was "...waza no kankyu to achieve kime in every technique; in particular, during the execution of renzokuwaza". Indeed, all of these aspects were combined to work towards the physical aim of Budo Karate: Ichigeki-hissatsu.

In sum, Oliver did extremely well and has plenty of homework to take back to Germany for himself (and his students). おめでとうございます, 押忍! André.

© André Bertel. Oita City, Japan (2017).

2017 SEMINAR in KREFELD, GERMANY

Due to an extremely busy schedule here in Japan, I will only be giving one Technical Seminar abroad in 2017. This event will be held in KREFELD, central GERMANY on October 7th and 8th.

For those wishing to ensure that they get a place on the course, you should contact the organizers—Dojo Nakayama Krefeld e.V.—by email: alex@karate-Krefeld.de. As in all of my other open seminars, I advise people to book early to avoid disappointment.

Here is a link to the homepage of the host dojo: www.karate-Krefeld.de For those who will be attending, see you in Germany. 押忍, André

© André Bertel. Oita City, Japan (2017).