On to the business… Here's my latest self-training routine.
KIHON
(1) Oi zuki kara niren choku zuki. Emphasis on perfect hiki-te and punch ‘connection’ and complete body
KATA
This month the focus is on Heian (presently Yondan and Godan), Tekki, Enpi, Jion and Unsu. The Heian kata are to address my core power sources, which need to be further explored, not to mention just getting to grips with kihon in general (a never ending challenge). Tekki (as always) to deal with infighting application, also to push my alignment, as mentioned in my shuto uke comments above. Jion, for perfection of the fundamentals that really matter in a real fight. And to be honest, I can never get past this kata… It is just technically so very deep - an 'exemplary' Shotokan kata. And Unsu for desert... Sheer technical diversity, dynamism and explosiveness. Gojushiho (Dai) has been dropped out of my training schedule.
KUMITE
I’ve really been motivated by Paul Kallander’s blog to practice my kaiten uraken uchi, which is Yahara Mikio Sensei’s tokui-waza. Asai Sensei referred to Yahara Sensei’s uraken as being “phenomenal”. He also said to me that “Yahara Sensei is the most dangerous karateka that the JKA Honbu ever produced”. I personally think that such a comment makes study of Yahara Sensei’s technique essential for anyone serious about JKA style Shotokan karate. My other focal point has been to further refine ‘go no sen’ or ‘taking the initiative later’. In jiyu kumite practice at the local dojo I attend, I’m essentially using deai all the time. What I’d like to emphasize here (especially for those without a JKA background) is that I’m not working on countering, but rather attacking, using my opponents initiation to my advantage (using their ma'ai, and both physical and mental 'gaps'). This training is not easy for me as sen no sen is my natural inclination, but is clearly optimal for my physique, talents, and weaknesses.
So that pretty much sums up my present karate practice schedule and should take me well into December. Where ever you are around the world, and regardless of style
OSU, André.
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© André Bertel, Japan 2008
© André Bertel, Japan 2008