“Kata expands our training beyond functionality into a beautiful art form, which can be practiced for life”

 Today’s 基本 (KIHON) practice comprised of 順突き (Jun-zuki) in the 移動基本 (idō-kihon) format up and down the dojo with primary attention on my 擦り足 (suri-ashi) and 前屈立ち正面 (zenkutsu-dachi shōmen). This was followed by the ‘supplementary basic training forms’: 順路二段  (Junro Nidan), 順路三段 (Junro Sandan) and 順路四段 (Junro Yondan).

After this I worked on two 型 (KATA). One 浅井派古典型 (Asai-ha kōten-gata):  旋掌 (Senshō); and one standard 松濤館流 (Shōtōkan-ryu) kata: 壮鎭 (Sōchin)

The 組手 (KUMITE) practice was ‘kihon-centric’ focusing on making each technique—in Senshō and Sōchin—effective; in particular, by utilizing maximum 体の伸縮 (Tai nō shinshuku) and acutely precise classical form.

To conclude: While it is clear that kata is not necessary for fighting (there are obviously numerous martial arts without kata), it is necessary “…if what we do is Karate-Dō”; moreover, to quote Osaka Yoshiharu Sensei: “…kata expands our training beyond functionality into a beautiful art form, which can be practiced for life”.

Last month I turned 50 years old, later this month I've practiced Karate for 45 years. This photo was at the conclusion of my practice today. My thoughts... I am still a beginner in this art.

©️ André Bertel. Oita City, Japan (August 3rd, 2026).