I was asked to write a brief overview on Gankaku. So here you are. 押忍!!
Tanaka Masahiko Sensei's Gankaku: Movement one: Ryoko jodan sokumen awase-uke (Migi kokutsu-dachi). |
This kata was originally known as ‘Chinto’ after its Chinese innovator (who allegedly ended up on Okinawa due to a shipwreck).
The funny part of the tale is that he was apparently
stealing people’s crops to survive. Eventually Matsumura Sokon was sent to give
the naughty Chinaman a lesson but found him to be an excellent martial artist.
After which, for a time, Chinto was ‘invited’ to teach his
style of Chinese boxing in the Tomari area (probably as a pay back for all the
fruit and vegetables he pinched).
The more descriptive and eloquent name 岩鶴 (Gankaku)—later adopted
Funakoshi Gichin Sensei—literally translates as ‘rock crane’. This typically
poetic label ‘from Shoto himself’ brings to mind ‘a crane boldly standing on a
rock’ as opposed to ‘a fruit and vegetable thief from across the ditch’.
With 42 movements, this Tomari-te kata follows the 一字形演武線 (Ichi ji gata
enbusen). This is where the performance line is linear, just like the kanji for
ichi; moreover, relates to training space and indeed the potentiality for a narrow environment for
application. The kiai are applied on movements 28 and 42 respectively both waza
of which are migi chudan oi-zuki
Nakayama Masatoshi Sensei wrote that “…the nucleus of this kata is the mastery of balance, rotation, and the simultaneous use of yoko keage and uraken”. Notice there’s no mention of using the Manji Kamae to grab a farmers apple, then rip it out of distance for a high fructose snack…
On a serious note... It is standard to utilize yoko-geri keage in this kata, but the older sideward mae-geri keage is also acceptable; however, other variants are not (in Budo/Bujutsu Karate).
Please forgive me for quoting my June 24, 2010 article: 'Hangetsu, Jitte and Gankaku'
"Asai Tetsuhiko Sensei was infuriated by the changing of yoko keage to yoko kekomi (amongst many sports karate competitors). His belief was that the yoko keage in Gankaku was a refined/improved side kick from the original (which was a mae geri to the side, still found in many styles today). He explained that "the yoko keage means you kick the opponents testicles, who is next you without having to turn your body at all. The upward trajectory of yoko keage, and the distancing with this kick, means that uraken uchi can easily be used offensively or defensively."
Gankaku overview
(Official stance and action per command count and 'a few AB practice tips')
1. Ryoko jodan sokumen awase-uke (Migi kokutsu-dachi). Note - this is JODAN if you like your front teeth! Many sports karateka do this waza lower to make it faster and easier. This has no meaning, only for speed and looks. Please reference Tanaka Sensei's above and compare it to sports karateka.
2. Ryosho
juji chudan osae-uke (Migi kokutsu-dachi).
3. Saken
chudan-zuki (Migi kokutsu-dachi).
4. Migi
chudan gyaku-zuki (Migi kokutsu-dachi).
5. Kaiten
shinagara migi sokumen migi gedan-barai (Kiba-dachi).
6. Kaisho
jodan juji-uke (Hidari zenkutsu-dachi).
7. Ryoken
mune-mae (Hidari zenkutsu-dachi).
8. Nidan-geri
kara gedan juji-uke (Hidari zenkutsu-dachi).
9. Gedan
juji-uke (Hidari zenkutsu-dachi).
10. Uken
gedan-uke, saken migi koshi mae kamae (Hidari kokutsu-dachi).
11. Hidari
shuto gedan-uke, migi shuto hidari koshi mae kamae (Hidari kokutsu-dachi).
12. Ryosho
chudan kakiwake-uke (Migi zenkutsu-dachi).
13. Ryosho
chudan kakiwake-uke (Kiba-dachi).
14. Ryoken
ryogawa gedan-kakiwake (Hachiji-dachi).
15. Migi
sokumen jodan uchi-uke doji ni hidari sokumen gedan-uke (Migi kokutsu-dachi). This is Manji-uke/Manji-gamae. Load with te-nagashi-uke doji ni gedan shuto uchikomi and when making the waza use a power ratio of 7:3.
16. Hidari
sokumen jodan uchi-uke doji ni migi sokumen gedan-uke (Hidari kokutsu-dachi).
17. Migi
sokumen jodan uchi-uke doji ni hidari sokumen gedan-uke (Migi kokutsu-dachi).
18. Gedan
juju-uke (Hidari ashi mae tatehiza-dachi: Migi ashi orishiki hidari hiza-tate).
19. Ryoken
chudan kakiwake-uke (Kiba-dachi).
20. Ryoken
ryogawa gedan-kakiwake (Hachiji-dachi).
21. Ryoken
ryokoshi-kamae (Hachiji-dachi). Do not stop on this movement; instead, move immediately into movement 22 and 23.
22. Migi
furi-enpi (Hidari zenkutsu).
23. Hidari
furi-enpi (Migi zenkutsu).
24. Ryoken
chudan kakiwake-uke (Migi ashi mae kosa-dachi).
25. Migi
sokumen jodan uchi-uke kamae doji ni hidari sokumen gedan kamae (Migi
tsuruashi-dachi). If you are well trained, straighten the sasae-ashi.
26. Migi
ryoken migi koshi kamae (Migi tsuruashi-dachi). Complete the kamae by compressing by slightly bending the sasae-ashi.
27. Hidari
sokuto yoko-geri keage doji ni hidari uraken jodan yokomawashi-uchi. If you understand, 'hybrid action'.
28. Migi
chudan oi-zuki (Migi zenkutsu-dachi) —KIAI!
29. Hidari
sokumen jodan uchi-uke kamae doji ni migi sokumen gedan kamae (Hidari
tsuruashi-dachi).
30. Hidari
ryoken hidari koshi kamae (Hidari tsuruashi-dachi).
31. Migi
sokuto yoko-geri keage doji ni migi uraken jodan yokomawashi-uchi.
32. Saken migi
sokumen chudan-zuki (Kiba-dachi).
33. Migi
sokumen jodan uchi-uke kamae doji ni hidari sokumen gedan kamae (Migi tsuruashi-dachi).
34. Migi
ryoken migi koshi kamae (Migi tsuruashi-dachi).
35. Hidari
sokuto yoko-geri keage doji ni hidari uraken jodan yokomawashi-uchi.
36. Uke next
hidari sokumen chudan-zuki (Kiba-dachi).
37. Migi shuto
zukami-uke (Migi ashi zenkutsu). I personally do this the old way, however, the newer version used by the JKA is just effective. I recommend testing both methods in self defense practice and establishing what works best for you (outside of exams and competitions where organizational norms must be followed).
38. Hidari
jodan tate-enpi usho-ate (Migi ashi zenkutsu).
39. Sasho-uken
hidari koshi (Migi ashi zenkutsu).
40. Kaiten
shinagara ryoken koshi kamae (Migi tsuruashi-dachi). As everyone knows, this is an arm break. Roll
41. Hidari
sokuto yoko-geri keage doji ni hidari uraken jodan yokomawashi-uchi.
42. Migi chudan oi-zuki (Migi zenkutsu-dachi)—KIAI! Always remember, CHUDAN attacks often become JODAN because of the previous action or actions. This point is very important in the application of the Shotokan kata and cannot be elucidated enough.
© André Bertel. Oita City, Japan (2021).
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